![]() The width, depth and 3D aspect of the overall stereo spread also contribute to a strong sense of stereo imaging. It’s the sensation of an imaginary plane where your sounds are situated in space.Ī mix or listening system has good stereo imaging if distinct instruments in the texture can be easily traced to a distinct “spot” in the stereo field. Stereo imaging is the quality and realism of the soundstage created by the left and right speakers in a listening system. In this article I’ll go through everything you need to know about stereo imaging and how to get a wide, three dimensional sound in your mix. Good stereo image is an essential quality of a good mix- and a good listening chain.īut getting a wide, enveloping mix that feels 3D and draws people in is difficult. Stereo imaging is what creates the sense of width and depth in music mixing. 5.Stereo Widening: 7 Simple Ways to Give Your Mix Width.4.Stereo Imaging: How to Make Your Mix Sound Wide.Stereo: How and When to Use Each Track Type 2.Mixing in Stereo: 4 Tips for Wider Sounding Tracks.1.Why Mixing in Mono Is Better for Creating Clarity in Your Mix.Click here to start from the beginning or simply just keep on reading. Would love to know if I’m missing a ‘trick or tip’ re this feature.This is lesson is step 4 / 5 of a LANDR Lesson Plan. Hope you know what I’m on about here mate. One of the frustrations is that with all that amazing myriad of different drummers and styles available… it would be great to set up a few bars of rhythm, and then ‘click audition’ all the different drummers, presets etc in real time as the bar is playing along, to see who ‘gets the gig’ and with which style and drum kit.Ĭurrently, if I click a different preset playing in real time, the little yellow ball flies off to ‘complex’ ‘hard’ ‘soft’ wherever the preset takes it, and the parts of the drum kit chosen change… and I have to slide it back and click kit parts on/off etc to get back to the the ‘groove’ I like. I then ‘noodle’ guitars / riffs / vox etc etc on top of that to slowly build the song. My first step is to get a drum beat/groove at the correct tempo and feel for my song idea laid out for a few bars (usually lots). Once the song/tune/ditty flies into my head from heavens knows where?…. I too love the ‘Drummer’ for ease and speed of getting great sounding tracks down and thanks for the vid.īut I have one question regarding the way I (and possibly only me) like to make new songs, regarding drums. So, without further ado, here’s some secret advanced techniques that you can use to get the most from Garageband 10’s Drummer track…īeen a subscriber and have followed yr GB ‘Schtick’ for a couple of years now and love yr work thank you. The resulting tutorial has gone on to become one of the most popular in the history of The Garageband Guide.Ĭheck it out here if you haven’t already: How To Use Drummerįast forward a year and a half ( has it really been that long?!) and not only has the Drummer track been updated with shiny new kits and virtual drummers, i’ve had a chance to really get to grips with some of the more in depth and advanced features of Apple’s automated rhythm section. HUNDREDS of emails later it was clear what you wanted to see. Turns out you lovely Garageband Guide readers like it just as much as I do! Back when Garageband 10 was first released I asked which of it’s shiny new features you would like to see me cover first… ![]() I find myself using it much more than any other of Garageband’s features. It’s the next best thing to actually recording an actual drummer playing on an actual drum kit. Garageband 10’s Drummer track is brilliant, isn’t it?
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